Release date:
November 11st, 1971
Recorded at: AIR Studios, EMI Studios, Abbey
Road and at Morgan Sound, London
This was the album which streamlined and established the hallmark
of the Floyd's mature style: a dense and colourful weave of
actuality sounds (notably the football chant on Fearless)
original electronic textures, and more conventional rock
instrumentation. "Meddle" contains two extremely
important songs in the Pink Floyd story. One, the powerful,
spacey "One Of These Days", marked a welcome return to
simplicity; while the other, the side-long "Echoes", is
a progressive rock classic.
On this track they managed to dispense with additional musicians and became, in effect a four-piece orchestra. The song marked the first real appearance of the lush, symphonic sound that was such an obvious feature of their music from then on. "Echoes" featured Dave Gilmour's first significant contributions to the group's sound.
David Gilmour: "We did loads of bits of demos which we then pieced together, and for the first time, it worked. This album was a clear forerunner for Dark Side Of The Moon, the point when we first got our focus."
Nick Mason: "We spent a long time starting the record. We'd worked through the Sounds Of Household Objects project, which we never finished. The idea was always to create a continuous piece of music that went through various moods and this was the album that established that. Rick was the guy who got it off the ground with that one note at the beginning."
Rick Wright: "I was playing around on the piano in the studio but it was actually Roger who said, Would it be possible to put that note through a microphone and then through the Leslie? That's what started it. That's how all the best Floyd tracks start, I believe."
The title "Meddle" was meant to be a
pun - "a play between 'medal' and 'interfere'".
Tracks:
Total Playing Time: 46'33
Musicians Featured: